Diary Entry

Where were you when you learned that President Kennedy was shot?

What does a memoirist really remember? Mortifying to confess, I remember where I was when I heard the news of the event in relation to my love life. That was the main event when I was twenty-two.

In November 1963 I was living in Paris, and teaching American English in a ée for girls. The night I heard the news on the radio, I was waiting in my maid’s room for a man I had just started dating to arrive. When he did, we went out to an Irish bar to watch the news on television. I reported the French coverage in a letter to my parents the next day.

handwriting     I hadn’t had time to send my letter when the news of Kennedy’s assassination came over the radio. I was able to follow the reports from the first “flash” to the confirmation of his death. Today the radio has not ceased to talk, speculate, and lament. Even the vegetable sellers are upset and talking about it.
     I myself was completely overwhelmed and I shudder to think of what will happen in the next elections. Please keep all documentation that appears on the subject.

 

I continued a few days later in my girl-reporter mode.

     There was complete (radio, tv, newspaper) coverage here. People were stunned and heartbroken. Everyone seemed to have admired, and more, liked Kennedy, finding him “jeune et sympathique.” We talked about it in my lycée classes, and my kids seemed quite impressed. Different people came and expressed their sympathy and shock to me. Over here the main questions were: how could the protection of a president be so inefficient? And, what was going on in the Dallas police force (i.e. police and Ruby? police and FBI?) I and everyone here were especially disgusted by the violence of the whole thing, and could not understand how such important things could get so out of hand. There still is no explanation and I wonder if there ever will be.

I had been living in Paris for three years without going home, and working very hard on becoming an expatriate. The fact that I was on the verge of falling in love with an American expatriate made that dream even more irresistible. The man, whom I was to marry two years later, was Irish American. As a nice Jewish girl from Manhattan I knew that an Irish American Catholic from Boston was not what my parents would consider husband material. Even I had my doubts at the beginning. Looking back it now seems to me that the prestige and glamour of Kennedy in France―with his Irish and Boston Irish origins―insidiously made my choice more acceptable, less foreign, in my eyes, at least, if not theirs. Still, in the second letter about the assassination, I introduced them on paper to the person I now call Jim Donovan.

It’s hard, if not impossible for me to separate in memory what I felt about the event from the French fascination with Kennedy (and Jackie) in which I experienced it; it’s even harder for me to sever the connection between my incipient love story, the failure of the marriage to which it led, and the shock of what seemed unthinkable. In my mind, the two tracks of memory are intimately linked.

The replays of the moment on television bring everyone back there, even those by definition too young to remember. The spectacle of the shooting and other now iconic images of the scene, not least Jackie Kennedy’s bloodied pink suit, John John’s salute, and Caroline’s little blue-coated, blonde girl adorableness become instantly familiar, instantly part of collective memory. All of us will connect learning of the event with some aspect of their personal life―hence the “where were you when?” In that sense, my memories are no more significant than belated ones, despite the fact that this happened in my lifetime. That’s how, I think, we remember, where we were when. In more than one way, political memory is always also personal.


Nancy K. Miller. Diary

Welcome. Some musings on my current preoccupations with the worlds of illness and the worlds of books, the vicissitudes of living with cancer and the need now, in my eighties, to imagine what new writing might be. 

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